Abstract – Art Bern

eBay Abstraction

ABSTRACT COWBOY | 16×20” | Oil on Canvas

And now for something completely different! Lo and behold the first abstract piece I’ve done in years. Why, you ask? It was a gift for my niece, who had seen something similar on eBay but she didn’t win the auction. Arty farty uncle to the rescue! Well, truth be told, my wife was the one who asked if I could help out and create something similar.

Of course! I love the challenge of making a copy of an existing painting. On the occasion that my imitation successfully mimics the original, I get quite the painterly adrenaline rush!

There were two primary enhancements I made to this abstract piece, one a brilliant suggestion from my wife, the other a need to play with impasto mediums. First, my wife noted that our niece is a big Cowboys football fan, so why not substitute the metallic gold of the original with silver. For the uninitiated to the cult of Jerry Jones, the team colors are blue and silver, thus the resulting palette. The other detour was the introduction of thick impasto elements, which I felt would add further interest to an otherwise limited composition.

I was quite happy with the outcome, although I think the use of gold per the original piece is a better look… for me. Customizing for my niece gave it more meaning, and makes for a better art story when there’s something personal driving the trajectory.

I’m inclined to dabble with more abstract compositions from time to time. It’s a nice pivot from the more exacting nature of landscapes and still life works. I can also experiment with palettes that deviate from my standard setup. Should prove interesting!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #abstractart #dallascowboys #silverandgold #impasto #atxart #atxartist #atxlife #contemporaryart #paintings

August 26, 2025 by Bern Categories: AbstractTags: Abstract, abstract-art, art, artist, cowboys, creativity, impasto, oil painting, painting 4 Comments

Bob Ross Goes Skiing

FRESH TRACKS | Mixed Media on Canvas Panel | 5×7”

This is project #2 from the aforementioned Textured Painting workshop at The Contemporary at Laguna Gloria. This was a real Bob Ross experience, as my original plan was to simply experiment with texture and some pottery tools to see how they manipulated the joint compound, as well as experiment on canvas board with my newfound medium. Lo and behold, I discovered ski tracks in the snow – an abstract painting exploration turned “real” composition.

The coloring of the snow is actually tinged with yellow and muted with purple, which is very hard to see in the photos. The first step was to paint the canvas panel all black, let it dry, then cover it with the off-white spackle. The pottery tool was some kind of metal prong with a very small, circular tip. Dragging this tool through the soft spackle exposed the black board underneath, sometimes closing back up over itself in the thicker sections, much like skiing through fresh snow.

On day 2, after the initial spackle had dried, using a water spritzer, I applied some kind of sparkly dust provided in the instructor’s box of goodies, which created a very cool reflective effect, like sun on snow. The last step was to apply a sky-blue acrylic mix to some of the wider tracks, which added color and the effect of the sky reflected in the snow.

Overall, I’m very happy with this abstract turned ski tracks realism piece. I think it would be a very marketable piece, too, at a larger size in a black frame for someone who loves skiing. Thank you, Bob Ross!

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February 19, 2024 by Bern Categories: Abstract, Landscapes, Mixed MediaTags: Abstract, art, impasto, painting, workshop 4 Comments

Meteor Spray

The mission to Mars is complete! This larger piece was a lot of fun on many fronts and allowed for some variations in technique and colors. This is largely an abstract project, although I worked to replicate the essence of the Martian surface, albeit with some wild colors.

After the block-in, which was described in the Meteors and Squirrels post last month, I focused on the colors. It was at times infuriating trying to create other worldly space dust hues, but I kept at it until I found something that resonated with me. Along the way, I will admit, there was a lot of wasted paint. The solution was glazing, whereby I was able to push and pull the hue and intensity as needed through thin layers atop an initial color scheme. There were 3 glaze layers in total, but the first one was the most impactful, essentially making the whole piece pop and really come alive! It was an exciting moment and something I absolutely love as an artist, namely when you make a creative decision to change the approach and it actually works! Hell yeah!

After 2 glazing layers, I made another compositional decision to invest more time and effort in multiple craters. The piece needed to convey the powerful impact of the main focal crater, but the addition of other craters enhances the overall painting and incorporates some needed texture. The craters also unwittingly added a strong sense of value contrast and lighting direction that I didn’t realize was lacking until I started dropping them into the Martian surface.

The final glaze layer was more opaque than previous layers and it was selectively done across the composition to soften and blur many of the larger craters so one gets the sense of a dusty surface – otherwise they simply looked too crisp and clean, an effect I wanted on the focal point but not the other craters.

Overall, this piece was fun to do, but I’m not excited about the outcome. I absolutely love the impact crater – still now sure how that came together so nicely – and the projection of colored Mars dust (meteor spray) worked well, but I realized the composition isn’t something that appeals to me visually. The final colors aren’t what I’d envisioned and I simply couldn’t get away from the red orange… and I don’t really like that hue, so in the end it was a stupid decision on my part. That said, I’ll be interested to see who likes this piece, either because of the pronounced coloring, or perhaps the Martian space theme, which isn’t a typical painting subject.

Technical details for my fellow art dorks:

Oil on canvas board, 30″x24″
Glazing done in final layers, but not atop the focal crater
Brush sizes were primarily 2 or 6, mostly Flats and Rounds,

March 4, 2020 by Bern Categories: AbstractTags: Abstract, art, glazing, impasto, Mars, meteor, oil painting, painting, space 1 Comment

Meteors and Squirrels

It’s been a couple months since I worked multiple pieces simultaneously. I like having the ability to bounce between works in progress for a number of reasons, not the least of which is the fact that alternating allows me to shift gears and keep my focus fresh on the piece in front of me, rather than getting burnt out banging away on the same composition for multiple days. Thus far in 2020 I’ve been working on small pieces that don’t take a long time to finish, so I’ve not had the opportunity to work in parallel. Well, that changes this week, means blog updates will have more progress updates along the way and not necessarily include the finished product in a singular post.

Last week I started 2 new pieces. I’m still waiting for inspirational names, but for now we’ll call them Meteor Spray and Squirrel Dancing. Meteor Spray is an actual Mars meteor impact crater, which will be a mix of realism and abstraction. Compositionally I’m already excited, in large part because the splatter inspired block-in stage turned out to be damn near good enough to stand on it’s own as a monochromatic painting. The colors in the reference photo are wild, but might be tricky to replicate. The plan will also incorporate knife work and impasto to build up the texture of the Mars surface. This is a larger piece, oil on canvass board, 24″x30″.

Meteor Spray – Reference Photo

Meteor Spray – Block In

Back on planet Earth, Squirrel Dancing is a study more than a formal composition, at least for now. I want to improve my skills in painting dogs in motion, so the study will focus heavily on the body language of the dog in an effort to capture an element of motion that gives the piece intrigue. In the case of Squirrel Dancing, the focus is the dog ready to spring into action when the squirrel makes a move. I’ve included a couple of sketches that helped me get a handle on the composition structure. Based on these sketches, I opted for the zoomed out approach that captures the height and separation between the taunter and the taunted. The painting study is 6″x8″ oil on paper. Before painting Wolfy into the study I did a small practice version before committing it to the composition – see the picture with these side by side.