Taking in more of the great Spring weather, I headed out to do some more plein air. This session was at a place called Mirror Pond in Austin, very close to Lady Bird Lake and part of the Zilker Nature Preserve, which was the first nature preserve created in Austin back in 1935 (learn more at AustinTexas.gov). No dogs allowed, so my canine assistant, Zip, could not join me today to keep the pesky squirrels away.
Mirror Pond is gorgeous and tranquil when it has water, but I was pretty sure today it would be dry, which it was. What I wasn’t expecting was such a pretty site despite the lack of water. I probably wouldn’t have noticed half of the cool geological formations had there been a pond to ogle over.
For those of you not familiar with plein air painting, one of the challenges is finding subjects that you can paint quickly and not get scuttled by the fast moving sun and shadows. I’ve included a gallery of photos below that show this effect and why it’s important to a) move fast, and b) take lots of photos early so you have something to work from in the studio to finish the work.
This composition started out as nothing more than a “get out there and paint” goal, but once I got the piece back in the studio and began fiddling around with some compositional ideas, it sucked me in for hours!
I was asking myself “why the hell am I painting a cedar tree again?” As noted in previous posts, I hate cedar trees for many reasons, but it seems that I can channel that fury-based energy into artistic currency. In this particular case, I pivoted my initial focal point from the sideway limestone arch to the interestingly shaped cedar tree above it.
The first thing that caught my attention was the cool shape of the cedar tree; it’s actually the inverted shape of the limestone arch upon which it sits. See it? It’s not perfect, but close enough to draw my interest. Secondly, I used some artistic license to accent the red (representing my burning hatred of these trees) of the cedar limbs to make the entirety of the greens pop. It also had the unintended side effect of increasing the value contrast against all the other greens in this composition.
Painting Mirror Pond has also reminded me that the craft of plein air is often about making a mediocre landscape come to life. Not sure if I managed to pull it off this time, but I learned a lot along the way.
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