Painting is truly a never ending learning process, which is what makes it so intriguing and rewarding, no matter one’s skill level. However, there are times when you pivot to a new thing – subject matter, tools, medium, etc – and realize the education could be a seamless experience, while there are other times when it’s more of a slap down. This portrait of one of my beloved pups, Wolfy, was indeed of the latter variety.
I’m pretty sure I had a couple things working against me on this one, but let me know what you think in the comments. First, it’s exponentially more difficult to paint (or draw for that matter) a dog that you know really well; getting the expression just right is nearly impossible. Secondly, the reference photo I used was, well, not the best. Wolfy does not like the paparazzi and therefore a workable pose from the furry prince was hard to come by. The third and final challenge was the recognition that Wolfy’s hair and color patterns were new to me and frankly very difficult to figure out.
You’ll notice the reference photo has a grid overlay, which helped tremendously and led to a few adjustments that were very helpful in terms of portrait accuracy. However, despite the grid and many hours of work on this piece, I feel like the final result leans cartoonish and for the life of me I can’t figure out why. I think it might be the length and width of the snout is simply off, but it might also be the plane of the forehead… or it’s his eyes. I don’t know. Thoughts?
Despite the challenges, I had a lot of fun with this composition. And although it was a slap down learning experience, I did educate myself alot about what works and what doesn’t. Some of the “what works” highlights that will carry over into future pieces are the brushwork for long fur, the use of reds in brown haired dogs (it’s there, it’s just hard to see), and the realistic texture of a palette knife for the tongue and nose.
Thanks for reading!
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