Lighthouses and Lobster Rolls

Portland Head Lighthouse | 7 x 5” | Graphite on Paper

This started as a practice sketch to familiarize myself with this iconic Maine lighthouse in preparation for some plein air sessions. But it sucked me in and turned into a full blown composition. It still needs small tweaks and refinements, but that will have to wait because I don’t have all of my drawing supplies on hand. 

The actual lighthouse was the easiest part, whereas the rocky coastline, which dominates the landscape, was the tricky, tedious bit. Despite the slog involved in drawing so many rocks, it was very rewarding as the composition came into view. I worked left to right, which made for a fun time lapse which essentially drew the rocky coast towards the lighthouse… somewhat ironic, too. 

There were some lessons learned as well. When drawing rocks, it was very helpful to focus and emphasize the vertical lines, which were the darkest elements. It was also good to draw many rocks as planes using a very angled drawing stroke, utilizing the side of the pencil instead of the tip. I’m sure that violates various drawing art conventions, but I’m pretty sure I don’t care… lemme check…. yep, confirmed, I don’t care. 

I used more dark graphite than I usually do (2B, 4B and 8B, with some HB) but it seemed to work. As one can see from the reference photo there are cast shadows on the rocks and buildings, as well as darkened rocks from crashing waves and a receding tide, which makes for a lot of graphite. 

Lastly, some advice. First, come see this lighthouse when you visit Portland, Maine. While you’re here, get the best lobster roll in the area from Bite Into Maine, which is open all week in the park. There are numerous picnic benches throughout the area, all with spectacular views. And if you have furry friends, bring them, as this is a dog friendly park. 

Thanks for reading!

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #atxart #cascobay #portlandmaine #landscapesmaine #pleinair #maineart #biteintomaine #portlandheadlighthouse #portlandmaineart #drawinglandscape #landscapedrawing

Stop With All the White Boats!

Casco Bay Boats (study) | 7 x 5” | oil on Canvas Board

The weather and views were so fantastic, frankly I didn’t care how this plein air piece turned out. The vantage point was from a hillside trail in the shade looking out across Casco Bay. I had originally setup along the water, but had to move due to the rantings of a homeless guy who felt me and another guy nearby had infringed on his oceanfront property.

The boats were tricky to paint because the scale was so small – this was the first time I’d painted a seascape with various boats on a small canvas. I realized I had to pay more attention to giving the impression of details with singular brush strokes, almost dots in some places. The other challenge with boats, maybe it’s just in this particular bay, but the vast majority of them are white, the entire boat, not just the sails.

Overall this was a successful study and I’m looking forward to future compositions, both in plein air and studio refinements. There are also some great hues to work with in the sky, water, and the backdrop of green forests and islands. What’s not to like?

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #atxart #cascobay #portlandmaine #landscapesmaine #pleinair #maineart #sailing

Nautical Profiles

Dead Calm in Casco Bay | 9 x 12” | Graphite on Paper


The Casco Bay of Portland, Maine has an iconic harbor look, pretty much just what you’d want to see when strolling the Eastern Promenade on a cool summer day. Yes, I said cool summer day… they do exist. 

This piece is a plein air drawing from the rocky shores of Casco Bay, bathed in sunshine and 75 degrees. I finished the shading and finer details in studio, but  capturing the moment on site was a lot of fun. It’s as if the boats were posing for their profiles. Most of the practice sketches I’d done the previous week were a real plein air smack down because the slight breezes on those days kept rotating the boats. It did teach me a lesson in drawing quickly, though. 

The lighthouse is a bit of artistic license, in that it’s not part of the actual scene. However there are numerous lighthouses in the area, all of which create a dream backdrop for these nautical seascapes. If I choose to create a painting of this scene, I’ll struggle to de-emphasize the lighthouse because I love their look!

That little bit of morning air.

I love this piece because it has a balanced look between a photo and painting. I know if I tried to recreate as a paining it would fail, therefore I’ll stick to reblogging Lemanshots’ work.

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Photo and design by Josephine.

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Coastal Plein Air

I’ve been traveling a bit this summer and managed to get in some plein air work! At first it was mostly drawings of coastal scenes – lots and lots of boats and beautiful coastline. But lately I’ve managed to get in some solid time with the paints and I’m working a few pieces in parallel.

I still need to return to a few of the plein air locations before I can finish with studio refinement. One basic change I’ve tried with the recent plein air compositions is essentially simplifying the focal areas and zooming in so there’s less to tackle. That’s been hard for me because I typically want to capture as much of the landscape view as possible in any given composition because it’s so damn beautiful.

Next projects will be some very photogenic coastal lighthouses. I’ve done a few practice sketches to get a feel for how I want to approach the works and not self-inflict panic during the speedy reality of painting on site. What’s really apparent, at least in my drawings, is that the lighthouse is going to be a piece of cake – it’s the rocky seaside that might well drive me insane. But I believe if I keep it “fast and loose” and focus on the lighthouse, the rocks will be simplified in a supporting role.

Hopefully I’ll be able to post a couple of completed pieces in the coming week.