Stop With All the White Boats!

Casco Bay Boats (study) | 7 x 5” | oil on Canvas Board

The weather and views were so fantastic, frankly I didn’t care how this plein air piece turned out. The vantage point was from a hillside trail in the shade looking out across Casco Bay. I had originally setup along the water, but had to move due to the rantings of a homeless guy who felt me and another guy nearby had infringed on his oceanfront property.

The boats were tricky to paint because the scale was so small – this was the first time I’d painted a seascape with various boats on a small canvas. I realized I had to pay more attention to giving the impression of details with singular brush strokes, almost dots in some places. The other challenge with boats, maybe it’s just in this particular bay, but the vast majority of them are white, the entire boat, not just the sails.

Overall this was a successful study and I’m looking forward to future compositions, both in plein air and studio refinements. There are also some great hues to work with in the sky, water, and the backdrop of green forests and islands. What’s not to like?

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #atxart #cascobay #portlandmaine #landscapesmaine #pleinair #maineart #sailing

Coastal Plein Air

I’ve been traveling a bit this summer and managed to get in some plein air work! At first it was mostly drawings of coastal scenes – lots and lots of boats and beautiful coastline. But lately I’ve managed to get in some solid time with the paints and I’m working a few pieces in parallel.

I still need to return to a few of the plein air locations before I can finish with studio refinement. One basic change I’ve tried with the recent plein air compositions is essentially simplifying the focal areas and zooming in so there’s less to tackle. That’s been hard for me because I typically want to capture as much of the landscape view as possible in any given composition because it’s so damn beautiful.

Next projects will be some very photogenic coastal lighthouses. I’ve done a few practice sketches to get a feel for how I want to approach the works and not self-inflict panic during the speedy reality of painting on site. What’s really apparent, at least in my drawings, is that the lighthouse is going to be a piece of cake – it’s the rocky seaside that might well drive me insane. But I believe if I keep it “fast and loose” and focus on the lighthouse, the rocks will be simplified in a supporting role.

Hopefully I’ll be able to post a couple of completed pieces in the coming week.