The Disappearing Pint

GOING, GOING, GONE! | Triptych | 10×16” | Mixed Media on Wood

Sometimes things don’t go to plan. Bob Ross had a phrase for this in the art world, “happy accidents”. What dear ol’ Bob didn’t clarify was that sometimes the plan goes to shit before the painting begins! 

GOING, GOING, GONE was supposed to be 3 square panels of equal size, the only progression being the artwork itself. However, before planning the composition I hadn’t verified the existence of 3 identical panels in my studio… AFTER having painted the middle panel, i.e. “GOING”. So rather than being the patient, pragmatic person who pauses the artistic process and acquires 2 additional identical panels before proceeding, I searched my studio for the next best option! It’s hard to tamp down unbridled excitement for starting a piece of art, so I’ll give myself a little break in that I was ready to get this thing moving without delay! 

Turns out I was having a Bob Ross moment. The triptych, while unconventional, proved to be very effective in terms of turning your expectations upside down. Specifically, the pint of beer is drunk down over 3 stages, whilst the side of the panels increases. I’m sure the experience isn’t universal, but my senses get upended a little as I digest the 3 panels and have to do a double take because the detail, values, and saturation decrease as the panels dramatically increase in size. I hope it has the same effect for you, otherwise it might be a little boring. 

As to the mixed media approach, I simply wanted to build on my recent foray into this technique. I suppose this could be done quite effectively with standard oil painting, but there’s something fundamentally different with the texture and chalky finish of spackle and acrylic paint that makes these artworks stand out from a crowd. That said, I think these pieces are like saltillo tile – you either love it or hate it – but either way you can appreciate its unique nature. 

Lastly, I’m excited to frame this triptych, although I have no idea how I’m going to do it. However, I do like the vertical layout as done in the photo, which is a little different spin on the typical triptych layout, but it also forms the shape of a pint glass… so there’s that.

Stay tuned for the final decision. Perhaps it’s a painting you’d like on your wall? 

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The Stick Won’t Throw Itself

ZIP TOOT | Mixed Media on Board | 8×10”

Painting and the creative process has always been a zen-zone for me, even on days when the paint just won’t line up right! When life decides to punch you in the face, painting can be calming, even downright cathartic.   

Our beloved pup, Zip – aka “Zippy”, “Zipster”, “Zipper”, “Toot”, “The Pip” and dozens of other nicknames – took her trip to the Rainbow Bridge a couple months ago. She was a HUGE personality, the boss of any space she occupied, and a precious family member who will be forever in our hearts. She loved food, playing ball, car rides, hikes, and she even enjoyed the occasional trip with me into the landscape to paint “en plein air”. But more than anything in the world, she loved to swim, especially if a stick was involved. ZIP TOOT is a nod to her larger than life personality doing what she loved more than anything else.  

As to the artwork itself, this is another foray with spackle, but leveraging the unique opportunity to create textures that simply can’t be done in oil paint – at least not by me. The spackle was laid down in multiple layers, oftentimes so thick that it created a lot of cracking when it dried, which actually played well with the subject matter. Once the shape of the tail was done, I used a dark gray layer (almost black) as the base, then textured in lighter grays and whites. The effect is to give the impression of various hair colors intermixed, even in the areas that are dominated by black or white. Zip was a spotty dog, so getting this right was tricky, but manipulating the spackle while it was still soft made for an effective outcome. 

The final step was going back in with acrylic paint to make the entire tail look more vibrant, which is a weird comment given we’re dealing with black, white and grays. The background is intended to represent her swimming days, the last of which were on Lake Austin at a boat ramp next to Mozart’s Coffee. If you look closely you can see some blue glittery bits splashed around the tip of her tail, reminding me of her need to shake thoroughly between throws and her all-out rush back into the water to recover her favorite stick. 

Go play with your dog cuz the stick won’t throw itself.

RIP Zip

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The Texture of Porter

PORTER | 4×4” | Mixed Media on Wood

My recent foray into mixed media, courtesy of plaster and acrylic, has opened up a new perspective for my still life compositions. A good place to start was with my favorite adult beverage, a tasty Porter.

This is a very small composition, 4×4”, but in large part thanks to the 3D-ish impact of the thick plaster, it has a lot textual appeal. I did this without a reference photo, or beer model for that matter, going from memory of similarly themed past paintings. This one is most notably related to Last Sip, but oddly enough it was infinitely easier to create for a couple of reasons. First, the smaller size makes things go much faster. But more notably, the use of colored plaster and the simplicity of the subject make for a quick creation.

I might have just gotten lucky, too, and nailed it on the first try.

I might return to this specific piece and do some direct painting using acrylics on the plaster, which would add more vibrancy and get rid of the slight chalky effect.

Thanks for reading!

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #contemporaryart #bernabplanalp #contemporaryatx #texturedpainting  #acrylics #beer #porter #stilllife #mixedmedia