Tag: photography

This was a commission piece for a friend, Jason, who had recently lost their beloved furry family member, Vedder. His wife, Alicia, reached out to me and wanted to have the piece done as a surprise. I knew the loss of Vedder was very difficult for both of them, having seen various remembrance posts from Jason on Facebook recently, it was clear this was a difficult time, so I wanted to make sure I got this right.

Alicia was extremely easy to work with, remaining very flexible in terms of what she wanted, essentially leaving most of the creative decisions up to me, saying she had confidence that whatever I created would be wonderful. At least that made one of us.

Then the pressure set in! This had to be perfection given the subject matter. 

Ultimately I devised a number of possible compositions based on pictures and videos of Vedder, created sketches, and passed them along to Alicia for review. Thankfully her top 2 choices were the ones I wanted to paint the most. 

I’m not a pet portrait expert, at least not at this point in my creative experience. That said, I have done a number of what I like to call “dogs in motion” pieces, so not having to tackle the task of Vedder’s face in detail was going to make this a lot easier.

There were a few compositional elements I wanted to bake into this piece. First and foremost, Vedder had to look like Vedder, even if his face was in profile, there’s still the challenge of getting his body just right. I wanted someone who knew Vedder to walk into the room where the painting was hanging and be able to tell at a distance “hey, that’s Vedder!” Secondly, the setting had to be his favorite excursion location, which was this unnamed rocky beach along the coast (they live in the Los Angeles area), and there had to be clear elements that made it recognizable as that beach. Lastly, I wanted to include “Easter Eggs” in the composition that would give the work more meaning and personalization for Jason and Alicia. 

The initial block-in went well, despite the need to improvise the landscape a bit – the natural rocky jetty wasn’t in the same view as Vedder in photos, but it was an integral element of the beach, so it had to be included. The initial draft of Vedder’s silhouette was a lot more difficult, having gone through at least 10 variations before landing on the final version. I also made the decision to incorporate a calmer ocean than what was typically in the reference photos, which often featured a very active surf. 

The most difficult technical challenges were the very black coat of Vedder, and the !*$king sand! First, the sand…

I’ll need to do a number of seascapes featuring beaches this year so I can capitalize on the lessons learned with sand. First, sand apparently comes in a wide range of colors, none of which you recognize until you try to paint said granules. I thought there was simply dry sand (light brown) and dark sand (dark brown). This is not the case. For the record, a beach full of sand has an infinite number of value and color gradations. Suffice to say it worked out, but I have a newfound appreciation for professional painters who incorporate footprints along the beach. 

The biggest challenge, as expected, was Vedder. Getting the shape right, and I hope it is (you’d have to ask Jason and Alicia), wasn’t too bad, but trying to get the black hair to pop on the canvas and work the reflection of the sun on his coat, well that took some experimentation. Ultimately it came down to the magic of alternating warm and cool blues. I also incorporated a lot of knife work so there was some texture to his coat, as well as some fine brush work on the edges so he looked wet. When I asked Alicia what Vedder likes to do at the beach, thinking I could incorporate a ball, stick or frisbee into the artwork, she said “he just likes to run around”, or something to that effect. He was simply a happy, energetic, loving dog!

As to the Easter Eggs, namely hidden references in the artwork, I like to use these in commission pieces because it adds personalization and helps lend meaning to the work. The trick is to not do too many, keep them simple, and above all else, don’t compromise the quality of the art. In the case of VEDDER, I incorporated 3 Easter Eggs, two of which I’ll share here. First, Vedder’s paws create a rainbow reflection in the sheen of the water, representing the Rainbow Bridge. This element is designed to be subtle and not something you notice until you look very closely at the artwork. The other Easter Egg can be seen in the rocky peninsula. If you turn the painting upside down, reading left to right are the letters “VeddEr”. They’re not easy to see at first, but the intent is to make it hard to find initially, but then it’s impossible to look at the painting and not see them going forward.

Overall I’m very happy with how this piece turned out. More importantly, Jason and Alicia loved it, at least that’s what they told me. Haha! All kidding aside, the fact that I got a text from Jason with a picture of him holding the painting with a huge smile on his face was all the thanks I needed.