Category: still life

Hermès Warhol Mashup

ENVY | 4 @ 5 x 7”, Grouping 16 x 20” | Oil on Canvas Boards

Finally, the Birkins are done and assembled as the ultimate quadriptych, ENVY! Hopefully it’s readily apparent that this composition is inspired by Andy Warhol, which is somewhat ironic because Warhol’s work never resonated with me. That said, I can’t deny he had some uniquely creative compositions that piqued one’s interest. 

The Hermès Birkin Bags (Sotheby’s has an Interesting article about the origin of the Birkin name) make for excellent still life models, I guess… given they cost $15,000 and beyond, I didn’t have one handy for modeling in the studio. However, between my wife’s distractingly pink knockoff “Firkin”, and the internet’s infinite library of images, I was able to cobble together plenty of reference material. 

I really enjoy doing still life pieces, but things like purses and clothing have very tricky shape and textural challenges that are, quite frankly, intimidating to translate on canvas. To help me temper the difficulty level, I allowed myself the flexibility to NOT create 4 identical purses, but rather focus on the design elements that are common across a given Birkin release and really blow up the interest level with colors. The end result was 4 Birkins that have very similar handles, hardware and shape, but none are identical. 

In terms of focal point and compositional strategy, the quadriptych lends itself to some interesting options. Ultimately, my intention was to allow the viewer to pick the focal point, which was done by looking around the composition and evaluating for themselves which bag they liked the most, thus the focal point… for them. My wife, who has a real eye for framing, had the bright idea of using a black background and black frame to ensure the panels really pop for the viewer. Given the high key value of each panel, the use of black readily achieves the goal of pushing the paintings at the viewer. 

One last note regarding ENVY, notably the custom framing. I used a matt board cutter to replace the white background that was original to the frame. The panels themselves are “stuck” to the matting using Command Picture Hanging Strips, which are essentially heavy duty Velcro that “clip” together. This makes the panels float above the matting a little – I had to paint the extremely skinny, almost non-existent edges of the panels black so the white of the canvas board wasn’t visible in the raised structure. 

ENVY will be added to my solo show, “Paintings and Pancakes” at Kerbey Lane Cafe in Austin (Westlake location), Texas. Swing by and check out the 25 pieces currently on display and available for purchase!

Thanks for reading!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #pleinair #pleinairaustin #paa #atxart #atxartist #atxlife #contemporaryart #paintings #kerbeylanecafe #coffee #westlakeaustin #eateraustin #austinbrunch #pancakes #paintingsandpancakes #birkin #hermes #birkin #birkinbag #warhol

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Brunch Anyone?

AVOCADO | 6×8” | Oil on Panel
MIMOSA | 12×16” | Oil on Canvas Board

Two more paintings have found their forever home! AVOCADO and MIMOSA caught the eye of a customer while having breakfast tacos at Kerbey Lane Cafe last week. The stories of why people buy a given painting is a very rewarding part of the experience for me. In this case, the buyer was planning to gift the paintings to an Aunt she was visiting while in the San Marcos area. I guess she’s a fan of brunch. 

This sale also provided me the opportunity to conduct my first “virtual” sale of the “Something For Everyone” show, which went seamlessly and worked well for everyone involved.  As someone who spent the majority of their career in high tech, the logistics of a virtual sale make for a fun intersection between art and tech. Each piece of art at the show has a label detailing the name, size, medium, and price, as well as a QR code. The QR code allows a diner at the cafe to simply scan with their phone, which brings them to my website, www.artbern.art, from which they can readily find my contact information. 

After a few email and text exchanges, she sent me payment via Venmo and I notified the restaurant that the paintings could be removed from the wall and left in the office for customer pickup. Aside from taking the paintings off the wall, the restaurant staff didn’t have to deal with any logistics. Everyone was happy with the process and the final outcome!

Stay tuned to find out about the new artwork that will replace AVOCADO and MIMOSA!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #pleinair #pleinairaustin #paa #sanmarcos #paintings #kerbeylanecafe #coffee #txst #avocado #mimosa #happyhour #brunch 

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Sticky Booger Framing

A few months ago I finished this triptych, now called “GOING GOING GONE”, but it sat around in the studio waiting for framing inspiration. Well, that inspiration finally showed up in the form of cork foam board, an orphaned 12×26″ frame, and a whole lot of JB Weld epoxy glue.

If you’re interested in the details of this artwork, follow the link to the post in the above paragraph. Otherwise, read on to learn about the challenging world of custom framing, at home, with nary a YouTube DIY video to be had.

Challenge #1: How does one attach wood blocks to a frame without backing? I was headed down the path of cutting a custom wood back, but then I stumbled across a 1/4” thick foam board while looking for balsa wood as a lighter alternative to plywood. I also happen to have a matt cutter, which is much more finger friendly than my rotary saw, which is buried somewhere in the garage.

Challenge #2: How to attach foam board to frame? Also known as “glue or screw?” I was leaning screws, but as I was digging through my massive drawer of miscellaneous art crap, I came across a tube of JB Weld, an epoxy glue that’s stickier than a wet booger. Despite having been used once in the past, probably more than 3 years ago, it still worked!

Challenge #3: What was the best way to affix the wood blocks to the newly added foam core backing? See aforementioned sticky booger solution. But, the trickiest part was ensuring the 3 blocks, all of which are different sizes, were lined up properly. I’m positive there’s a better way to do this, but I opted to use a center string and blue tape at right angles to ensure the blocks were glued in the right spot.

Surprisingly, it worked out! I used the cork side of the foam board so I didn’t have to paint the white side, and I kinda liked the light brown coloring, which looked like a porter or amber beer. The best part, which my wife pointed out, was that by using the cork side for the backing, it was similar to a coaster bottom… like for a cold pint of beer… get it?

This piece will likely be added to my solo show, “Something for Everyone”, at Kerbey Lane Cafe in San Marcos, Texas, available for the reasonable price of 10 cases of Guinness or (512) Pecan Porter.

Thanks for reading!

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Curlycue Lemon Leaf

NEIGHBORLY LEMON | Graphite on Paper | 6×8”

The lemon used in this drawing was given to me and my wife by our long-time neighbor, who brought it from her kid’s home in California! She toted it home on the plane, along with some oranges, not as a “thank you” for watching her house while she was out of town… she was just being neighborly! 

Before I cut into this fine fruit, I wanted to do a proper drawing, as I was struck by it’s slightly odd shape and the long stem with a single leaf still attached. If I didn’t know better I would have guessed this lemon was stolen, quickly yanked from the tree under the cover of darkness! 

I used four different pencils to get the proper shading – H, B, 2B, and 4B. For those of you who don’t draw, these are how darkness levels are rated on pencils. For this example, H is the lightest, 4B the darkest. You’ll notice the reference photo has the lemon perched on a glass, making you ask “what is that about?”. This was intentional, a matter of pragmatism so I didn’t have to hunch over for a proper viewing angle.

Lastly, I’ll point out that the focal point is… the leaf! It’s not only unusual to see the stem/leaf on a lemon still life, but it’s also a unique shape, probably a result of being slightly emaciated, causing it to curlycue rather abruptly. Hopefully you can tell it’s a leaf and the fact that it’s a bit oddball doesn’t detract from the overall composition. 

Cheers! 

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #lemon #fruit #neighbor 

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Grapevine Art

OLD VINE | Graphite on Paper | 6×8”

Today is for the wine lovers out there! This is one of the various drawings from this month’s draw-a-day self-imposed idiocy. I think even oenophiles would have trouble recognizing this drawing at first glance, but it hopefully becomes apparent that this is a grape vine. An old, grape-less, dead vine, but a grape vine nonetheless. 

The reference photo is from my visit to The Piccolo Hotel (great place, btw) in Paso Robles, California. I didn’t realize what it was at first – I just thought it was a cool wood carving over the fireplace in the lobby. But when you get to looking at it in more detail, and taking into account the location (wine country!), the reality sets in that this is the epitome of upcycling! This grapevine, while alive, provided tasty wine… and in death is transformed into art! What’s not to love about that! 

The Library at The Piccolo, Paso Robles

As an art subject, it was very tricky initially. I thought it was going to be a disaster, in large part due to the details involved, but perseverance won out and all the wavy lines and dark circles coalesced into a pretty decent drawing. More importantly, it was a lot of fun to draw and something I’ve added to the short-list of formal compositions. Drawing or painting, I’m not sure which… maybe both. 

One final comment: Paso Robles wine is excellent! Makes sense, right? I mean, c’mon, the vines are beautiful, alive or dead! 


#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #wine #oenophile #pasorobles #thepiccolohotel #sketch #staypiccolo #california.wines

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Painting Auditions


ROSE | Graphite on Paper | 3 x 3”

This is the first of numerous drawings I’ll be doing over the course of the coming 30 days. There are a number of goals involved with this exercise. Initially, I was going to set a lofty goal of a drawing-a-day, but reality has set in and the target has been tempered to draw-a-day. 

This drawing, ROSE, is from day 3 of the challenge. I’ve done a painting called YELLOW ROSE in the past, based on the same reference photo, so it was interesting to return to this after a few years. I was surprised how quickly this drawing came together; some sort of long-term artistic muscle memory. 

The other benefit of a self-imposed 30-day draw challenge is that it drives me to practice potential new compositions. Doing a quick sketch of a painting subject is helpful in the field for plein air, and for studio work, but sketches are typically done to refine the compositional strategy. However, doing a more complete drawing answers the question, “do I want to paint this?” Sometimes, you get into the details of a painting and realize that it’s not any fun because it’s either beyond your skill set, too tedious, or simply not very exciting. 

In the coming weeks, stay tuned for more drawings auditioning to become paintings!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #flower #rose #botanical #sketch 

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Bent Beer Flight

BEER BOX | Oil on Board | 7×5”

This piece was done earlier this year using a reference photo I took while in Portland, Maine. Most of my works in that area are either “en plein air” or based on my own coastal reference photos. For those of you who have followed my work over the years, you well know I tend to veer to still life from time to time, with a particular affinity for libations. Thus, BEER BOX, technically a beer flight, from Rising Tide Brewery in Portland comes as no surprise. 

For the painters out there, remember the use of photo reference is a blessing and a curse. On the one hand, they capture a place or moment for future reference, when perhaps your memory might not be willing to cooperate. On the other hand, they can significantly distort reality and create more problems than they solve. While most of what you read about “painting from photos” (virtually every painting book covers this point) emphasizes the distortions created by photos relative to lighting and hues, IMHO the real terrorist activity of reference photos is their ability to jack with shapes. 

In BEER BOX, I overlooked the shape shifting my iPhone had done to “improve” the photo. I even used a grid to try and get the shapes right, something I rarely employ, and I still didn’t realize the reference photo was just a bit tweaked! It’s hard to notice at first, but the top portion is actually skewed outward, kind of a mini fish-eyed effect. I noticed this after I’d already committed to the compositional structure, so I just rolled with it to see how it would turn out. 

In the end, this piece proved to be a perfect mix of frustration and satisfaction. I think it turned out well, despite the odd birds-eye view, and I learned a lot in terms of subtle hue and value changes required to capture the depth of the beer box and how the glassware fades into the deep shadows. 

BTW, Rising Tide Brewery makes some great beers and should be a stop on any Portland, Maine brewery crawl. I don’t recall the specific beers in this flight, but the 4 styles were Stout, IPA, Pilsner, and the pink one was a delicious Sour. 

Thanks for reading!

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #risingtidebeer #beerflight #beer #mainebrewers

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EVOLVING – Group Show at Art for the People Gallery (NEW LOCATION)!

I’m privileged to be included in another group show at Art for the People Gallery in Austin! I’ll have two pieces in the show, FISHERMANS POINT and SMOKY ON ICE. I’m especially stoked at this opportunity because these pieces showcase two very distinct painting styles, namely landscape and still life. 

The show runs June 7th – August 17th, 2024, opening reception NEXT SATURDAY, June 8th, 12-4pm CDT at the new location of Art for the People Gallery in Austin, Texas.

Note that the Art for the People Gallery has moved locations and is no longer on South 1st street. They are part of Good Dad Studios located at 2801 S. I-35 Frontage Rd. Good Dad Studios is Texas’ largest artist complex, which means they have a lot of artist studio space, and within the facility are galleries and other businesses, one of the most notable being Art for the People Gallery. 

Reach out if you have any questions, or better yet go to the gallery and check out all the art.

SMOKY ON ICE | 8 x 10″ | Oil on Board
FISHERMANS POINT | 9 x 12″ | Oil on Board

Thanks for reading!

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #artforthepeoplegallery #aftpg #rescuedogs #dogsofinstagram #pleinairaustin #stillife #gooddadartists #oldfashioned #cocktail #smokyoldfashioned #bourbon #theglenallachie_ #whiskey #cascobay #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #fishermanspoint #fishingshacks #willardbeach

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The Disappearing Pint

GOING, GOING, GONE! | Triptych | 10×16” | Mixed Media on Wood

Sometimes things don’t go to plan. Bob Ross had a phrase for this in the art world, “happy accidents”. What dear ol’ Bob didn’t clarify was that sometimes the plan goes to shit before the painting begins! 

GOING, GOING, GONE was supposed to be 3 square panels of equal size, the only progression being the artwork itself. However, before planning the composition I hadn’t verified the existence of 3 identical panels in my studio… AFTER having painted the middle panel, i.e. “GOING”. So rather than being the patient, pragmatic person who pauses the artistic process and acquires 2 additional identical panels before proceeding, I searched my studio for the next best option! It’s hard to tamp down unbridled excitement for starting a piece of art, so I’ll give myself a little break in that I was ready to get this thing moving without delay! 

Turns out I was having a Bob Ross moment. The triptych, while unconventional, proved to be very effective in terms of turning your expectations upside down. Specifically, the pint of beer is drunk down over 3 stages, whilst the side of the panels increases. I’m sure the experience isn’t universal, but my senses get upended a little as I digest the 3 panels and have to do a double take because the detail, values, and saturation decrease as the panels dramatically increase in size. I hope it has the same effect for you, otherwise it might be a little boring. 

As to the mixed media approach, I simply wanted to build on my recent foray into this technique. I suppose this could be done quite effectively with standard oil painting, but there’s something fundamentally different with the texture and chalky finish of spackle and acrylic paint that makes these artworks stand out from a crowd. That said, I think these pieces are like saltillo tile – you either love it or hate it – but either way you can appreciate its unique nature. 

Lastly, I’m excited to frame this triptych, although I have no idea how I’m going to do it. However, I do like the vertical layout as done in the photo, which is a little different spin on the typical triptych layout, but it also forms the shape of a pint glass… so there’s that.

Stay tuned for the final decision. Perhaps it’s a painting you’d like on your wall? 

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #atxart #atxlife #contemporaryart #beer #pint #mixedmedia #impasto #stilllife

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So Many Lines!

HALF SHELL STUDY | Graphite on Paper | 4×6”
SOPO Seafood Oyster, South Portland, ME

East coast oysters, specifically Maine oysters, are the best in the world according to my palette. My favorite place to eat oysters is at SoPo Seafood in South Portland, Maine. In a word – AMAZEBALLS! – the food surpassed only by the charm, expertise, and knowledge of the staff. 

A painting of a massive oyster shell is forthcoming, thus this study drawing. What I learned is that oyster shells have a LOT of friggin’ lines! Not something you really think about when eating oysters, but the shells are beautiful, albeit a bit on the gray side. 

Stay tuned for the multimedia painting project… 

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #atxart #atxlife #contemporaryart #seafood #soposeafood #oysters #maineoysters 

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