Sticky Booger Framing

A few months ago I finished this triptych, now called “GOING GOING GONE”, but it sat around in the studio waiting for framing inspiration. Well, that inspiration finally showed up in the form of cork foam board, an orphaned 12×26″ frame, and a whole lot of JB Weld epoxy glue.

If you’re interested in the details of this artwork, follow the link to the post in the above paragraph. Otherwise, read on to learn about the challenging world of custom framing, at home, with nary a YouTube DIY video to be had.

Challenge #1: How does one attach wood blocks to a frame without backing? I was headed down the path of cutting a custom wood back, but then I stumbled across a 1/4” thick foam board while looking for balsa wood as a lighter alternative to plywood. I also happen to have a matt cutter, which is much more finger friendly than my rotary saw, which is buried somewhere in the garage.

Challenge #2: How to attach foam board to frame? Also known as “glue or screw?” I was leaning screws, but as I was digging through my massive drawer of miscellaneous art crap, I came across a tube of JB Weld, an epoxy glue that’s stickier than a wet booger. Despite having been used once in the past, probably more than 3 years ago, it still worked!

Challenge #3: What was the best way to affix the wood blocks to the newly added foam core backing? See aforementioned sticky booger solution. But, the trickiest part was ensuring the 3 blocks, all of which are different sizes, were lined up properly. I’m positive there’s a better way to do this, but I opted to use a center string and blue tape at right angles to ensure the blocks were glued in the right spot.

Surprisingly, it worked out! I used the cork side of the foam board so I didn’t have to paint the white side, and I kinda liked the light brown coloring, which looked like a porter or amber beer. The best part, which my wife pointed out, was that by using the cork side for the backing, it was similar to a coaster bottom… like for a cold pint of beer… get it?

This piece will likely be added to my solo show, “Something for Everyone”, at Kerbey Lane Cafe in San Marcos, Texas, available for the reasonable price of 10 cases of Guinness or (512) Pecan Porter.

Thanks for reading!

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Italy vs Maine

New Collector John with Artist Bern (me, wearing SoPo shirt)

I recently had the good fortune of selling 2 pieces from my solo show, “Something for Everyone”, at Kerbey Lane Restaurant in San Marcos, TX. I got to meet John, who bought 2 of my favorite pieces, “Porto Venere Bell Tower” and “Spring Point Lighthouse”. It’s awesome that he liked two pieces that were different in so many ways – size (small vs large), pallets (bright, warm vs subdued, cool), and landscape locations (Porto Venere, Italy vs South Portland, Maine)! Just proves how versatile art can be!  

One of the most rewarding things about selling a painting, even rivaling the cold hard cash, is the chance to meet people who are actually intrigued by something I created. The inspiration I have for a composition isn’t always what piques a collector’s interest. Having the opportunity to chat with new buyers is always an interesting and enjoyable experience for me, as I get to learn about some sliver of their lives and where their newly purchased artwork will fit into their world. 

Thanks for reading!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #pleinair #pleinairaustin #paa #sanmarcos #paintings #kerbeylanecafe #coffee #txst #portovenere #springpoint #lighthouse #maine #cinqueterre 

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Curlycue Lemon Leaf

NEIGHBORLY LEMON | Graphite on Paper | 6×8”

The lemon used in this drawing was given to me and my wife by our long-time neighbor, who brought it from her kid’s home in California! She toted it home on the plane, along with some oranges, not as a “thank you” for watching her house while she was out of town… she was just being neighborly! 

Before I cut into this fine fruit, I wanted to do a proper drawing, as I was struck by it’s slightly odd shape and the long stem with a single leaf still attached. If I didn’t know better I would have guessed this lemon was stolen, quickly yanked from the tree under the cover of darkness! 

I used four different pencils to get the proper shading – H, B, 2B, and 4B. For those of you who don’t draw, these are how darkness levels are rated on pencils. For this example, H is the lightest, 4B the darkest. You’ll notice the reference photo has the lemon perched on a glass, making you ask “what is that about?”. This was intentional, a matter of pragmatism so I didn’t have to hunch over for a proper viewing angle.

Lastly, I’ll point out that the focal point is… the leaf! It’s not only unusual to see the stem/leaf on a lemon still life, but it’s also a unique shape, probably a result of being slightly emaciated, causing it to curlycue rather abruptly. Hopefully you can tell it’s a leaf and the fact that it’s a bit oddball doesn’t detract from the overall composition. 

Cheers! 

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #lemon #fruit #neighbor 

by Categories: Drawings, still lifeTags: , , , , 1 Comment

Glowing Happy Hour

LAMP GLOW | 10×14” | Oil on Panel
Reference Photo, Photographer Unknown

Oftentimes I use my own photos as inspiration for my paintings, but I also use pics from people I don’t know. This is something I believe most painters do, typically for a couple of possible reasons. First, I paint, I’m no photographer, so my photos are, well, not very good. Some things even an iPhone can’t fix. So I might use my own photo as the main reference, but find other options online of the same area to enhance the view. The other main reason for using a reference shot from someone else, be it an individual, magazine, etc., is because it’s something or some place I’ve never seen or been to personally. It’s this latter reason that applies to this new piece, LAMP GLOW. 

I spent a lot of time on the canvas with this one, which was expected given my lack of experience painting people in detail. In fact, I must have wiped the face of the bartender no less than 6 times, and reshaped the bar patrons many times as well. Ultimately, I’m happy with the result and I learned a lot in terms of technique and what NOT to do. 

Lamp Glow Detail

The focal point of LAMP GLOW is the glow from the lamp on the bar, not the lamp itself. Because the glow is a soft light with a mid-range value, it was a little tricky to make it work. Usually, the focal point of a composition is highlighted by things such as high contrast values or sharp edges. Lacking these options I pushed the saturation and ensured the soft, orange light bathed the primary elements in the painting, which (hopefully) makes the glowing lamp a clear focal point given it emanates throughout the scene. 

In terms of design decisions, I’m not sure I took the right approach regarding the liquor bottles in the background. While they turned out nicely, I think they’re ultimately a distraction and might be more effective if they were softer and less saturated. Oh, and painting 67 individual bottles is a wee bit tedious.

Stay tuned for more bar scenes! 

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #bartender #bars #nightlife #happyhour #atxlife #steakhouse #lampglow #cocktails

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French Café Sketch

FRENCH CAFÉ | Graphite on Paper

Here’s another installment from my January “draw-a-day” self-imposed challenge. While I didn’t draw every single day, I came pretty close. Most of what I did was practice for new paintings, which, as I’ve mentioned previously, can be immensely helpful in determining not only how to approach a new composition, but even if you want to do it in the first place! 

FRENCH CAFÉ is a sketch intended to inform a painting I just started. After having done an initial block-in on the canvas I realized this was going to need further consideration before moving forward. This sketch is that “further consideration”, allowing me to do a handful of things before returning to the canvas. 

For the curious, following is how this sketch will help the painting:

  • People: arrangement, sizing/scale, and simplification. The last point, simplification, is a by-product of drawing whereby one has to convey the essence of the figures purely through shapes, whereas the painted version will also leverage colors. 
  • Focal point: The sketch taught me that I’m lacking a focal point, so the painting will need to do a better job of focusing on a particular grouping of people at the tables. In this sketch, it’s not clear where the viewer should concentrate.
  • Details: Between the umbrellas, windows, people, and trees, there’s a lot going on. It will be important to exclude some elements in the painting to make it effective, and more enjoyable to paint. The vines growing up the walls will get 86-ed, as will some of the ground floor windows and doors. 
  • Values: There will need to be very high contrast of values between the shaded people and those areas that are in direct sunlight. You can tell that this sketch, while effective in many ways, really looks flat with the exception of the overhanging trees at the top. This is where I made a point to do high contrast in light and darks, adding a 6B pencil to the mix.

Stay tuned for the actual painting, which will be a challenge, albeit a well informed one thanks to this sketching exercise. 

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #frenchcafe #sketch #umbrellas 

by Categories: DrawingsTags: , , , , 4 Comments

Grapevine Art

OLD VINE | Graphite on Paper | 6×8”

Today is for the wine lovers out there! This is one of the various drawings from this month’s draw-a-day self-imposed idiocy. I think even oenophiles would have trouble recognizing this drawing at first glance, but it hopefully becomes apparent that this is a grape vine. An old, grape-less, dead vine, but a grape vine nonetheless. 

The reference photo is from my visit to The Piccolo Hotel (great place, btw) in Paso Robles, California. I didn’t realize what it was at first – I just thought it was a cool wood carving over the fireplace in the lobby. But when you get to looking at it in more detail, and taking into account the location (wine country!), the reality sets in that this is the epitome of upcycling! This grapevine, while alive, provided tasty wine… and in death is transformed into art! What’s not to love about that! 

The Library at The Piccolo, Paso Robles

As an art subject, it was very tricky initially. I thought it was going to be a disaster, in large part due to the details involved, but perseverance won out and all the wavy lines and dark circles coalesced into a pretty decent drawing. More importantly, it was a lot of fun to draw and something I’ve added to the short-list of formal compositions. Drawing or painting, I’m not sure which… maybe both. 

One final comment: Paso Robles wine is excellent! Makes sense, right? I mean, c’mon, the vines are beautiful, alive or dead! 


#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #wine #oenophile #pasorobles #thepiccolohotel #sketch #staypiccolo #california.wines

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Painting Auditions


ROSE | Graphite on Paper | 3 x 3”

This is the first of numerous drawings I’ll be doing over the course of the coming 30 days. There are a number of goals involved with this exercise. Initially, I was going to set a lofty goal of a drawing-a-day, but reality has set in and the target has been tempered to draw-a-day. 

This drawing, ROSE, is from day 3 of the challenge. I’ve done a painting called YELLOW ROSE in the past, based on the same reference photo, so it was interesting to return to this after a few years. I was surprised how quickly this drawing came together; some sort of long-term artistic muscle memory. 

The other benefit of a self-imposed 30-day draw challenge is that it drives me to practice potential new compositions. Doing a quick sketch of a painting subject is helpful in the field for plein air, and for studio work, but sketches are typically done to refine the compositional strategy. However, doing a more complete drawing answers the question, “do I want to paint this?” Sometimes, you get into the details of a painting and realize that it’s not any fun because it’s either beyond your skill set, too tedious, or simply not very exciting. 

In the coming weeks, stay tuned for more drawings auditioning to become paintings!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #stilllife #drawing #graphite #flower #rose #botanical #sketch 

by Categories: Drawings, Flowers, still lifeTags: , , , , , , , 4 Comments

Hill of Life: The Gnarly Side of Barton Creek

HILL OF LIFE | Oil on Canvas | 24 x 20” 

Say hello to the inaugural composition for 2025, HILL OF LIFE. If you’re a mountain biker living in Austin, then you know. For the rest of you, this is the northern endpoint of the Barton Creek Greenbelt, 7 miles upstream from one of Austin’s most iconic sights, Barton Springs. 

It’s fitting that the two ends of the greenbelt are polar opposites. The southern end is accessible via a short walk from a parking lot, and is suited for swimming, cooling off, and relaxing in the shade of live oaks. Conversely, the northern entry is a sketchy ride down a steep, rocky, 300 foot drop-in and is suited for mountain bikers with a death wish or adrenaline junkies. 

The HOL is actually an old maintenance road that was used (I believe) by the city to access the trail in emergencies, be it fire fighting or EMS services for some poor bastard who’s riding skills couldn’t cash the check their ego was writing. Over the years, the road was decommissioned and all that remains are the cement joints that connected the main sections. Over the years, erosion has created  big “steps” off the lip of these joints… and therein lies the focal point of HILL OF LIFE. Oh, and great sunsets, too!

This piece started with plein air sketches, which was easy to do given this location is a 5 minute hike from my house. I had intended to do a plein air study from this location, too, but after the sketches and my own personal experience with this trail over 20+ years, I felt like a study wasn’t necessary. So I teed this up in the studio and started throwing paint at the canvas! 

Hill of Life Old Road
Hill of Life Sunset
Impasto Sun
Hill of Life
Kerbey Lane Show

The obvious focal point is the huge setting sun, but I also consider the darkest section, namely the last ledge down the trail, as a main hook for the viewer. The odd looking concrete bar at the base of the painting is one of the aforementioned joints in the original road, which makes a little more sense when you look at the painting and reference photo side-by-side. I spent considerable time ensuring this was more realistic than impressionistic to garner interest in the piece, hopefully without causing confusion for those who haven’t been to the Hill of Life. 

Lastly, the sun is done primarily with thicker paint application using a palette knife, which gives it more texture and a stronger presence on this larger canvas. It also allows for more blending, which I find helpful when trying to nail the value and warmth of something as intimidating as the sun. 

For those of you in the Austin area, this piece is part of my solo show, “Something for Everyone”, on display (and for sale) through end of June at Kerbey Lane in San Marcos. 

Thanks for reading!

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #pleinair #pleinairaustin #paa #hilloflife #bartonsprings #hikeaustin #alltrails #bartoncreek #violetcrowntrail #kerbeylanecafe #sanmarcos #HOL #mountainbiking #hiking

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Kerbey Lane Solo Show: “Something for Everyone”

Greetings and Happy New Year!!! I’m kicking off 2025 with my first solo show courtesy of Kerbey Lane in San Marcos, TX! Given there are 25 pieces on display (all for sale btw), ranging in themes – still life, landscapes, even some pure whimsy – I’ve decided to call it “Something for Everyone”.

The process of hanging art at a restaurant during regular business hours was a bit intimidating, even on a slow Monday mid-afternoon. However, everything went well because it turns out my wife has a heretofore undiscovered talent for gallery design and hanging paintings! She was awesome… literally couldn’t have done it without her.

Some of the pieces on display are brand new – paint might not be entirely cured if I’m honest – while other pieces were part of my personal home collection, so this is their first foray into the real world. The show will run January through June, so be on the lookout for new works being added in the coming months.

I’ll be adding a special section to ArtBern that highlights the various pieces in “Something for Everyone”, so be on the lookout later this week.

One last item of note. A hearty THANK YOU to all the great staff at Kerbey Lane! They were welcoming, helpful, and wildly enthusiastic about the art. Knowing that they were excited to see the wide range of themes and subject matter, well, it was beyond rewarding for me to get that kind of feedback while hanging and effectively being in their way for 2 hours. Hey @kerbeylanecafe San Marcos, y’all are wonderful!

Thanks for reading!

Kerbey Lane San Marcos
Dining Room Booths
Bar Booths
Bathroom Waiting Area
TV Alternatives
River View


#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #pleinair #pleinairaustin #paa #austinstudiotour #sanmarcos #paintings #kerbeylanecafe #coffee #txst

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Bent Beer Flight

BEER BOX | Oil on Board | 7×5”

This piece was done earlier this year using a reference photo I took while in Portland, Maine. Most of my works in that area are either “en plein air” or based on my own coastal reference photos. For those of you who have followed my work over the years, you well know I tend to veer to still life from time to time, with a particular affinity for libations. Thus, BEER BOX, technically a beer flight, from Rising Tide Brewery in Portland comes as no surprise. 

For the painters out there, remember the use of photo reference is a blessing and a curse. On the one hand, they capture a place or moment for future reference, when perhaps your memory might not be willing to cooperate. On the other hand, they can significantly distort reality and create more problems than they solve. While most of what you read about “painting from photos” (virtually every painting book covers this point) emphasizes the distortions created by photos relative to lighting and hues, IMHO the real terrorist activity of reference photos is their ability to jack with shapes. 

In BEER BOX, I overlooked the shape shifting my iPhone had done to “improve” the photo. I even used a grid to try and get the shapes right, something I rarely employ, and I still didn’t realize the reference photo was just a bit tweaked! It’s hard to notice at first, but the top portion is actually skewed outward, kind of a mini fish-eyed effect. I noticed this after I’d already committed to the compositional structure, so I just rolled with it to see how it would turn out. 

In the end, this piece proved to be a perfect mix of frustration and satisfaction. I think it turned out well, despite the odd birds-eye view, and I learned a lot in terms of subtle hue and value changes required to capture the depth of the beer box and how the glassware fades into the deep shadows. 

BTW, Rising Tide Brewery makes some great beers and should be a stop on any Portland, Maine brewery crawl. I don’t recall the specific beers in this flight, but the 4 styles were Stout, IPA, Pilsner, and the pink one was a delicious Sour. 

Thanks for reading!

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #risingtidebeer #beerflight #beer #mainebrewers

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