Bent Beer Flight

BEER BOX | Oil on Board | 7×5”

This piece was done earlier this year using a reference photo I took while in Portland, Maine. Most of my works in that area are either “en plein air” or based on my own coastal reference photos. For those of you who have followed my work over the years, you well know I tend to veer to still life from time to time, with a particular affinity for libations. Thus, BEER BOX, technically a beer flight, from Rising Tide Brewery in Portland comes as no surprise. 

For the painters out there, remember the use of photo reference is a blessing and a curse. On the one hand, they capture a place or moment for future reference, when perhaps your memory might not be willing to cooperate. On the other hand, they can significantly distort reality and create more problems than they solve. While most of what you read about “painting from photos” (virtually every painting book covers this point) emphasizes the distortions created by photos relative to lighting and hues, IMHO the real terrorist activity of reference photos is their ability to jack with shapes. 

In BEER BOX, I overlooked the shape shifting my iPhone had done to “improve” the photo. I even used a grid to try and get the shapes right, something I rarely employ, and I still didn’t realize the reference photo was just a bit tweaked! It’s hard to notice at first, but the top portion is actually skewed outward, kind of a mini fish-eyed effect. I noticed this after I’d already committed to the compositional structure, so I just rolled with it to see how it would turn out. 

In the end, this piece proved to be a perfect mix of frustration and satisfaction. I think it turned out well, despite the odd birds-eye view, and I learned a lot in terms of subtle hue and value changes required to capture the depth of the beer box and how the glassware fades into the deep shadows. 

BTW, Rising Tide Brewery makes some great beers and should be a stop on any Portland, Maine brewery crawl. I don’t recall the specific beers in this flight, but the 4 styles were Stout, IPA, Pilsner, and the pink one was a delicious Sour. 

Thanks for reading!

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #risingtidebeer #beerflight #beer #mainebrewers

327 Austin Studio Tour

Exciting news on the art event front… I’ll be participating in the 31st edition of the Austin Studio Tour the weekend of November 16 & 17th! For those of you in the Austin area, if you haven’t checked out the studio tour in the past, I highly recommend it, even if I weren’t involved. It’s a very rare Austin event that’s chock full of talented artists, free of charge, and it doesn’t take over Zilker Park or Auditorium Shores for the month! 

The Austin Studio Tour, in a nutshell:  over the course of two weekends, more than 400 artists open up their studios or display in public spaces/galleries… for FREE! The city is basically split into East and West sides (I35 being the demarcation), whereby weekend 1 is “WEST” studio tour, and weekend 2 is what I like to call the OG “EAST” studio tour. 

Weekend 1 is today and tomorrow, Nov 9 & 10th, weekend 2 is Nov 16 & 17th. Official opening times are noon – 6pm each day, but there are some that open beyond those times, including Friday evening.  

I’m stop #327 at a building called EASTBOUND located at 3232 E Cesar Chavez St. I’ll be joined by a dozen of my painting friends from Plein Air Austin, well, more like I’ll be joining them, so visitors get a chance to see a TON of art at a single location. 

I’ll have at least 20 pieces of original artwork for sale, including a bunch of new pieces that will make their debut at this show. It’s a mix of plein air originals, studio work, and per some interest from friends and family I’ll be adding some drawings to the mix.

Stay tuned for more updates, including a list of other artists showcasing their talents at our location, live plein air demo details, and “Beers with Bern” after party locations.

Get out and explore the talent of Austin artists! Hope to see y’all next weekend! 

#austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #atxartist #atxlife #pleinair #pleinairaustin #paa #austinstudiotour

Acorn Street, Boston

As promised, here is the finished work (maybe) of the ACORN STREET study. I say “maybe” because I might opt to add people and give it more activity, but I also like the calm, quiet morning vibe this gives off. I’m guessing the early mornings are the favorite time for the residents of this street as the tourist throngs are still in their AirBnBs second guessing why they hadn’t opted for a hotel with an in-room coffee machine and room service.

I wanted to ensure value contrasts and a loose painting style were key elements of this piece. The flag and sunlit building opposite were intended to draw the viewer down the street, which wasn’t difficult to do as this composition kinda designed itself. The big challenge since the original progress post was adjusting the light from the photo reference so that it realistically “hit” the flag, which meant letting it sneak up the end of the street more than was originally planned. 

Lastly, the cobblestones were a last minute addition. I was trying to avoid anything too detailed in an effort to keep the painterly feel, but anyone who’s been on this street knows the cobblestones are integral to the charm. I need to refine my technique in future work, but there are a lot of cobblestone streets that I’d love to paint in the future! 

#acornstreet #boston ​#​cobblestones #austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #atxartist #atxlife ​#cambridge #flag #unitedstates #oilpainting #fineart #atx

Boston Study

New work-in-progress, ACORN STREET, oil on canvas board. This piece is also serving the purpose of a study for a larger composition, provided it turns out well. It’s off to a good start, though, but it will take a few more hours on the easel to get there. The perspective and values are solid and should provide the foundation for an eye-grabbing painting. 

This was also my first session as a student in an open studio class taught by Robin Cheers. Her artwork is beautiful, very painterly, and really captures a sense of place and activity. As an instructor, she made a very strong first impression and provided some great insights that will go a long way to improve my technique. 

Stay tuned for the finished work!

#acornstreet #boston #robincheers #austinart #artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #atxartist #atxlife 

Congress Bridge Bats

BRIDGE 56 | Oil on Canvas | 12 x 36”

This piece is inspired by the bat colony under the Congress bridge in Austin, Texas, but note they are not the focal point. The 56 silhouettes along the bridge are the intended focal point, which as a group, show the evening observations of the bats on a summer evening. However, as you look at each individual person, you can see how their experience is unique. Hopefully you, as the observer, have some emotional response to some of these folks. 

The sun plays a big part in this composition, cascading it’s golden light across the landscape, creating some strong value contrasts not only on the horizon, but also on the silhouettes, especially those on the right side of the bridge. It also creates a balance between warm and cool hues, with subtle purples in the middle creating a temperature transition. Lastly, the sun has been finished with a palette knife for an impasto effect, which helped amp up the brilliance. 

Another element of the composition is the use of the 1.5” edge of the canvas, allowing the bats and silhouettes to flow around the frame. The figures on each side are looking into the painting, which should help direct observers into the composition. 

Stay tuned for additional bridge silhouette paintings! 

Bat Skrawing

The bats are coming! This is a skrawing, or is it a dretch… I dunno, whatever you call the in between gray area of an informal sketch and a structured drawing. Regardless, the plan is to do a larger piece, at least by my standards, of the iconic Austin bats departing their home under the Congress Street bridge. 

The focal point will be the silhouettes of the people on the bridge, secondarily the bats. The anchor, not something that’s officially a painting term as far as I know, will be the brilliant sun in the lower right corner, which is very tricky in a drawing, so you’ll have to use your imagination. The value contrasts will be extreme, so balance is going to be key. Why I’m attempting this is beyond me…

12×36 will be the dimensions… stay tuned! 

Fort WTF and the Power of Artistic License

3 BOATS ON CASCO (study) | 5×8” | graphite on paper

Figuring out why a composition is failing can be a real challenge at times. If the painting fundamentally sucks, I know it’s a lack of talent or experience on my part. Sometimes, however, it just doesn’t look right. It’s on this latter front that I often find myself with boats. 

Granted, I don’t have extensive experience painting seascapes that highlight boats. They’re tricky and I believe lots of practice is the key to get the blizzard of weird angles, maddening levels of detail, and the reality that they move constantly, even when anchored, working in concert as a composition. 

Last week I did a short plein air session of boats – it was a total failure, although the outing itself was great time spent on the coast. I decided to try drawing the same scene in the studio to see if I could figure out the issues. As it turns out, this small study solved a lot of problems, of which there were 2 big ones.

First, the viewing angle was too steep, meaning it works better with a more horizontal perspective. The painting I had done was simply too aerial, probably in part because I was standing on a pier and secondly it was low(ish) tide, so everything was below my line of sight. 

Secondly, the composition included something very unusual, namely Fort Gorges, which is literally a Civil War era fort seemingly floating around in Casco Bay. It’s an iconic part of the Bay for those who know Portland, Maine, but for those “from away”, it’s basically a big ‘ol WTF part of the horizon. It’s made all the more confusing to the uninitiated because it has a tree filled square in it’s center, which makes Fort What-the-Fuck even more awkward with what looks like a Jolly Green Giant broccoli patch springing skyward. How does one work that convincingly into a composition. NOBODY! 

Upon realization that Fort WTF needed to be ignored, aka artistic license, the final version of the drawing was complete. Note that in the pictures there is a before and after version to show the impact of using a drastic design decision to make the composition work. Whaddya think?

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #pleinairaustin #cascobay #fortgorges #seascape #sailing #drawing

What’s Underneath

UMBRELLA IN SHADE (study) | 5×8” | graphite on paper

This is a plein air sketch from my rental backyard in Maine, which has a big, red umbrella as well as a massive oak tree for shade. At certain times of day the umbrella gets shaded by the oak tree, which creates a neat value contrast underneath. While I didn’t get the pass through lighting just right, its always satisfying to get an object like an umbrella properly drawn. 

On a compositional note, I definitely will look to do a future painting of an umbrella from this underneath perspective. I really like the mystery it creates whereby the viewer has no idea what’s happening on the table, or even in the background below 3 or 4 feet. Oddly enough, the lack of a “bottom” seems to continually redirect me back into the composition. Does it work that way for you, too? 

This study doesn’t make the cut for a “real” painting, but it was fun to draw, so perhaps I might try another angle one day soon. In the meantime I’ll keep an eye out around town for a bright, colorful patio umbrella for a proper painting effort. 

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #pleinairaustin #umbrella #drawing

EVOLVING – Group Show at Art for the People Gallery (NEW LOCATION)!

I’m privileged to be included in another group show at Art for the People Gallery in Austin! I’ll have two pieces in the show, FISHERMANS POINT and SMOKY ON ICE. I’m especially stoked at this opportunity because these pieces showcase two very distinct painting styles, namely landscape and still life. 

The show runs June 7th – August 17th, 2024, opening reception NEXT SATURDAY, June 8th, 12-4pm CDT at the new location of Art for the People Gallery in Austin, Texas.

Note that the Art for the People Gallery has moved locations and is no longer on South 1st street. They are part of Good Dad Studios located at 2801 S. I-35 Frontage Rd. Good Dad Studios is Texas’ largest artist complex, which means they have a lot of artist studio space, and within the facility are galleries and other businesses, one of the most notable being Art for the People Gallery. 

Reach out if you have any questions, or better yet go to the gallery and check out all the art.

SMOKY ON ICE | 8 x 10″ | Oil on Board
FISHERMANS POINT | 9 x 12″ | Oil on Board

Thanks for reading!

#artbern #berntx #crashboomzip #abplanalp #austinartists #atxart #artforthepeoplegallery #aftpg #rescuedogs #dogsofinstagram #pleinairaustin #stillife #gooddadartists #oldfashioned #cocktail #smokyoldfashioned #bourbon #theglenallachie_ #whiskey #cascobay #portlandmaine #landscapesmaine #maineart  #portlandmaineart  #southportland #southportlandmaine #capeelizabeth #fishermanspoint #fishingshacks #willardbeach

The Disappearing Pint

GOING, GOING, GONE! | Triptych | 10×16” | Mixed Media on Wood

Sometimes things don’t go to plan. Bob Ross had a phrase for this in the art world, “happy accidents”. What dear ol’ Bob didn’t clarify was that sometimes the plan goes to shit before the painting begins! 

GOING, GOING, GONE was supposed to be 3 square panels of equal size, the only progression being the artwork itself. However, before planning the composition I hadn’t verified the existence of 3 identical panels in my studio… AFTER having painted the middle panel, i.e. “GOING”. So rather than being the patient, pragmatic person who pauses the artistic process and acquires 2 additional identical panels before proceeding, I searched my studio for the next best option! It’s hard to tamp down unbridled excitement for starting a piece of art, so I’ll give myself a little break in that I was ready to get this thing moving without delay! 

Turns out I was having a Bob Ross moment. The triptych, while unconventional, proved to be very effective in terms of turning your expectations upside down. Specifically, the pint of beer is drunk down over 3 stages, whilst the side of the panels increases. I’m sure the experience isn’t universal, but my senses get upended a little as I digest the 3 panels and have to do a double take because the detail, values, and saturation decrease as the panels dramatically increase in size. I hope it has the same effect for you, otherwise it might be a little boring. 

As to the mixed media approach, I simply wanted to build on my recent foray into this technique. I suppose this could be done quite effectively with standard oil painting, but there’s something fundamentally different with the texture and chalky finish of spackle and acrylic paint that makes these artworks stand out from a crowd. That said, I think these pieces are like saltillo tile – you either love it or hate it – but either way you can appreciate its unique nature. 

Lastly, I’m excited to frame this triptych, although I have no idea how I’m going to do it. However, I do like the vertical layout as done in the photo, which is a little different spin on the typical triptych layout, but it also forms the shape of a pint glass… so there’s that.

Stay tuned for the final decision. Perhaps it’s a painting you’d like on your wall? 

#artbern #berntx #crashboomzip #painting #art #abplanalp #austinartists #atxartist #atxart #atxlife #contemporaryart #beer #pint #mixedmedia #impasto #stilllife