Happy Hour – The Roosevelt

Happy Hour – The Roosevelt
Oil on board, 8″x6″
We’re returning to the still life series called Happy Hour. Cocktail #2 is hot off the easel and ready for your guesses. But first, time to reveal the answer to cocktail #1 from Happy Hour – Angostura… it was a Whiskey Old Fashioned! The Old Fashioned is one of the classic cocktails, but despite the simplicity of it’s composition, there are a number of subtle changes one can make in the base ingredients to create a wide range of variants. A very good recipe can be found here on PUNCH, my go to resource for all things cocktail. If you have a favorite riff on the Old Fashioned, please share in the comments!
Returning to Happy Hour – Roosevelt, the hints are few but specific. I excluded the city name from the napkin, but suffice to say it’s arguably the most important cocktail (and food) city in North America (although I defer to our Canadian readers for any challenges to this claim), birthplace of many classic libations. Any guesses? The answer will be revealed in the next cocktail series piece in a couple weeks.
The Roosevelt is another oil composition on an 8″x6″ gesso board. The type of cocktail glass is not something I would have tackled at this point, as it’s very complex and a bit beyond my comfort zone, but it was true to the cocktail, so I gave it a go. The other challenge was the color of the drink itself, a mix of cadmium red medium, cadmium yellow deep, titanium white and ultramarine blue; there are also some bits with cadmium yellow.
Next time I’ll pay more attention to the dark values in the drink itself, as I strayed from that tenet early on, getting a bit obsessed with trying to nail down the elusive pink/orange color of the drink. If you look at the block-in picture, it’s obvious that I knew there were very dark values in the drink itself, but I didn’t paint them in properly.
And beware the challenge of painting words, especially words with fancy letters… with lots of curves… on an undulating cocktail napkin! Definitely not something to do if you’re jacked up on caffeine – it requires a steady hand and a lot of patience. I had to make a big withdrawal from my limited Bank of Zen to get through it.
I was pleasantly surprised with the ease of doing the blurry, colored bar of illuminated bottles in the background. This is also true to the actual setting of The Roosevelt and a handy approach to call upon in future compositions.
Thanks for visiting and don’t forget to post your critiques and cocktail guesses in the comments!

Yellow Ball with Tails

Yellow Ball with Tails
Oil on canvas board, 6″x8″
Sometimes you just know a composition is going to work, virtually able to paint itself. Yellow Ball with Tailswas exactly that kind of composition. Wolfgang and Zip loved this toy because the 2 tails made it tug-a-licious! As the designated thrower, I liked it because the ball made it easy to throw without getting dog slime all over my fingers.  Ultimately, this toy stayed inside and lasted about 20 play sessions before parts started to get ripped off and chewed up.
I’ve recently made some adjustments to my still life setup, changing the platform so it’s higher and is at sitting eye level. This gives a new angle that’s easier for me to translate to the canvas.
This piece moved quickly and was done in a couple of sessions this week. As I stated earlier, this composition looked great from the start and I knew it was going to be a fun project when I saw all that bright yellow shredding dangling against that blue background. Definitely going to spend more time on compositional arrangement with future dog toy paintings.
The canvas board was ideal for this type of toy because it has a lot of toothy texture, which easily lends itself to the toy’s material. The only thing I don’t like about a canvas board for this type of piece is the fine detail of the threads. The canvas texture makes it very hard to paint a thin line, so I often had to do some back and forth with the darker background color to get the thread lines just right, basically painting back into the yellow thread line to reduce the width.
There’s a lot of yellow in this piece, and I did some experimentation:
  • Deep Yellow + Titanium White as the base for the mid-range yellows. Added Ultramarine Blue and Cadmium Red Light in small doses for the shadows on the ball. 
  • Cadmium Lemon + Titanium White for the lighter areas. 
  • Indian Yellow, which I don’t typically use often, here and there to vary the lighting along some of the longer sections of the tails. 

The blue cloth was Ultramarine Blue and TW with variations of green made from Cad Yellow Deep and Cad Red Light. 

 
Originally, I had included the tag on the toy, but once the piece was 90% done the tag looked too distracting and didn’t add a lot of value, so I took it out. 
 
For those interested in the toy itself, it came from BarkBox, a monthly dog toy subscription service. Our dogs destroy toys, much to my artistic delight, so BarkBox has had to adjust what they send us to try and find toys that are good for tugging but also very durable.  Supervised play is the best solution for our fur balls because once they’re done tugging, it turns into keep away, which devolves into a game of “I’m going to eat this so you can’t have it”. Somewhere between keep away and vindictive chewing is when I like to step in and save the toy. If I was going to rate this toy, it would go something like this (1-10 scale):
  • Tugability 8 – withstood some strong tug sessions between my large dogs (Zip 50 lbs, Wolfy 85 lbs )
  • Durability 6 – hard for a canvas toy to rate higher than a 7, so this is pretty good
  • Versatility 8 – this could have easily been used inside or outside, both for fetch or tug. 
  • OVERALL 7
Yellow Ball with Tails - Dogs
Zip and Wolfgang – Dog Artists
Yellow Tail Ball - ref photo
Reference photo – Yellow Ball with Tails
Yellow Tail Ball block in
Block in of dog toy
Yellow Tail Ball 1
Started with the yellows
Yellow Tail Ball 2
First paint draft done
Yellow Tail Ball 3
Working details
Yellow Tail Ball 4
Fine details of shredded threads
Yellow Tail Ball Final
Finished Yellow Ball with Tails dog toy

Ball! Ball! Ball!

Oil on canvass panel, 6″x4″
My dogs are a big part of my life, which means I live to serve their needs, in large part because I love them and, well, they don’t have thumbs. My oldest dog, Zip, is a 7 year old Aussie Catahoula rescue mutt from Austin Pets Alive!. Her world revolves around two things – food and “ball”. To that end, I serve as her chef and throwing machine.
The lifespan of a Zip tennis ball is a couple weeks. She chews on them while bringing the ball back for another throw, as if they’ve offended her and need to be destroyed. It’s the epitome of a love hate relationship.
This piece is a tennis ball after 1 throwing session. The fuzz and color have been adequately altered, making what had been a boring, new green smooth tennis ball into something with depth and intrigue. Thank you Zip!
I like to do these small dog toy pieces on a canvass board to help with texture. In this piece, it was very helpful with the need to pull out strands of tennis ball fuzz because the rough surface helped scatter the stringy look in a random pattern, thus making it look more natural. The hardest part was getting the dirt just right, which took some experimentation with Burnt Sienna, Raw Umber, and various puddles of orange.
Finally, I was pleasantly surprised how effective the white line of the tennis ball added realism. It was also important to put a small hint of shadow along the edge of the white line to give just enough depth on the surface of all that green fuzz.
Tennis Ball - Oil Panel 2

Happy Hour – Angostura

As the saying goes, “It’s happy hour somewhere in the world”, but seeing as it’s 10am here in Austin, a post about cocktails is about all I can muster.

HH Agostura 20200108
“Happy Hour – Angostura”

This is a small piece, oil on board, 5″x7″. This is the first in a series I’m going to do over the course of this year called “Happy Hour”. I’m always trying to think of ways to make art creative and engaging, which can be done in a number of ways. Instructors and workshops will often stress composition and technical prowess, which is very important, but I consider that table stakes. What’s often missing is intrigue, of which I’m plenty guilty of excluding in my works. To get the interest piqued with the Happy Hour series, I’m not going to reveal the specific cocktail in the name of the piece or initial blog post. The intrigue is for the viewer to figure it out based on bartender savvy hints.

Take this initial piece, “Angostura”, which is very simple in terms of composition. What do you consider valid and helpful hints in the painting? When putting this together, I wanted to provide 3 hints that a savvy bartender – professional or simply someone like me with a well stocked bar at home – would be able to use to identify the drink. In this case, those hints are some, but not all of the ingredients, color of the cocktail, and glassware. Can you figure it out?

If you want some help, PUNCH is a fantastic libation focused publication that is a notch above pretty much everything else out there, at least as far as I’ve been able to find. Once you crack the mystery of “Angostura” (hint: think simplicity… I’m not being clever with this one), dive into PUNCH and see what I mean about great cocktail insights.

Maybe 2020 should be the year of artistic intrigue?

Dog Day Trifecta!

Starting some new pieces on used (loved) dog toys. This is the remains of a well used canvass purple octopus, called a Kong Wubba. The progression photos are over the course of a number of sessions, including a preliminary sketch done separately to get a better feel of the composition.

The trick with this piece was trying to get the right textural feel for the plush toy, which is the purple octopus. For reference, here is a link to a Kong Wubba so you can see what a pristine one is supposed to look like.

Ultimately this composition conveyed what I wanted, which are the essentials of a great day for one of my dogs, namely a walk (leash), play time (toy), and a fine gourmet meal (bowl).

“Dog Trifecta”

Oil on 5″ x 7″ wood panel